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Download Programme An Editing Modernism in Canada (EMi C) Colloquium Colloque de L’Édition du modernisme au Canada (Ema C) Paris, France, June 28–30, 2012 L’Institut du Monde Anglophone Université Sorbonne Nouvelle-Paris 3 5, rue de l’Ecole de Médecine 75006 Paris Métro/RER : Odéon, Cluny-La Sorbonne, Saint-Michel Grand Amphithéâtre Chair: Dean Irvine (Dalhousie University/Yale University) Andrew Thacker (De Montfort University) Taking Root or Moving On?

Modernism, Transnationalism, and Little Magazines Suzanne Bailey (Trent University) Remaking Diaspora: David Silverberg at William Hayter’s Gilles Lapointe (Université du Québec) Identité sans frontières : Edmund Alleyn et l’espace artistique parisien entre 1955 et 1970 Stéphanie Danaux (Université de Montréal) and Nova Doyon (Université Laval) «Combien d’autres sont partis qu’on n’a jamais vus revenir?

» Petit Amphithéâtre Chair: Marc Fortin (Queen’s University) Emily Robins Sharpe (University of Guelph) Honeymoon in Paris: Women Reporting the Spanish Civil War Bart Vautour (Mount Allison University) Reporting Spain: Modernist Journalism and the Politics of Proximity Sophie Marcotte (Université Concordia) Du Fémina à l’indifférence : Gabrielle Roy et la France –14h Lunch Le Procope 13, rue de l’Ancienne Comédie 14–h Session 3 Grand Amphithéâtre Chair: Paul Hjartarson (University of Alberta) Matt Bouchard (University of Toronto) and Harvey Quamen (University of Alberta) Bringing the Archive to the Streets: the Watson AR Smartphone Application Kristin Fast, Nick van Orden (University of Alberta), Rebecca Blakey (University of Alberta), and EMi C UA Mapping Sheila’s Paris: “just what did this exile return home with, anyway?

” Linda Morra (Bishop’s University) “I want my story told”: Modernism and Autobiographical Representation in Sheila Watson’s Notebooks” Faye Hammill (University of Strathclyde) Modes de Paris: Literature, Fashion and Excess in Dispatches to Canadian Periodicals Michelle Smith (University of Strathclyde) The Pursuit of Elegance: Advice and Advertisements for Parisian Travel in Canadian Magazines of the 1920s and 1930s –h Erin Wunker (Dalhousie University) “Try Advil, try Stein”: Sina Queyras the Making of Contemporary Canadian Feminist Poetics Mathieu Duplay (Paris 7 University) Chinese Poems on the Moon: Writing the Canadian Landscape in Malcolm Lowry’s “The Forest Path to the Spring” A Roundtable Petit Amphithéâtre Melissa Dalgleish (York University) Christopher Doody (Carleton University) Hannah Mc Gregor (University of Guelph) Jennifer Randall (Université de Paris 8 ) –h Grand Amphithéâtre Chair: Emily Robins Sharpe (University of Guelph) Melissa Dalgleish (York University) The White Goddess in Toronto: Jay Macpherson, Robert Graves, and the Exile of Canadian Modernist Mythopoeia Leah Ellingwood (University of Victoria) Digitizing the Enemy: Developing a Resources Website on Wyndham Lewis’s Petit Amphithéâtre Chair: Christopher Doody (Carleton University) Jason Wiens (University of Calgary) Tracing the Limits of the Obscene: John Glassco’s Revisionary Modernism Margo Gouley (York University) Metaphor and the Modern Critic: The Transcultural Contexts of W. Collin’s Grand Amphithéâtre Chair: Hannah Mc Gregor (University of Guelph) Robert Zacharias (University of Toronto) “Brilliant Exile, for the Heart / Is and Not Makes, a Work of Art”: Modernism and the Aesthetics of Displacement in Canada Nadine Fladd (University of Western Ontario) Revis(it)ing Modernist Moments: Morley Callaghan and Petit Amphithéâtre Chair: Miguel Mota (University of British Columbia) Marc Delrez (University of Liège) Rilke in Frame Mark Williams (Victoria University) Dark Furniture: The Lugubrious Modernism of Late Manhire Teresa Gibert (Spanish National University) Transculturality and Transnationalism in Mavis Gallant’s Writings –14h Grand Amphithéâtre Chair: Sophie Marcotte (Université Concordia) Jacques Paquin (Université du Québec) L’expérience littéraire de Gatien Lapointe en France (1956-1962) à travers sa poésie et ses archives personnelles Michel Lacroix (UQAM) Les exotiques à Paris (1910-1914) : entre modernismes et (néo-)classicisms Sarah Alharbi (Université de Montréal) Vers une phénoménologie de l’exil : quand l’exil du corps au Royaume des Idées symbolise le retour de l’âme à ses origins A Trans Canada Institute Panel Petit Amphithéâtre Chair: Kit Dobson (Mount Royal University) Smaro Kamboureli (University of Guelph) Letters from the Other Side: On Editing and Editing Roy K.

Kiyooka Roy Miki (Simon Fraser University) Transforming inglish: Editing the Poetry of Roy K.

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Thomas University) Locating Attitudes to Place in Canadian Modernism: A New Brunswick Study –14h Grand Amphithéâtre Chair: Linda Morra (Bishop’s University) Paul Hjartarson (University of Alberta) The Other Watson: Wilfred in (Another?) Paris Gregory Betts (Brock University) “I held all the hot egos of the world in my hand”: Conscious of Multi-Consciousness in Wilfred Watson’s Poetry Vanessa Lent (University of Alberta) Paris and Wilfred Watson’s Petit Amphithéâtre Chair: Janet Wilson (University of Northampton) Sydney Janet Kaplan (University of Washington) Mansfield, Manoukhin and International Modernism: Paris 1922 Anne Mounic (Sorbonne Nouvelle) A Flavour of Paris in Katherine Mansfield’s Stories Christine Lorre-Johnston (Sorbonne Nouvelle) Women Abroad: Expatriation in Short Stories by Katherine Mansfield and Mavis Gallant –16h Grand Amphithéâtre Chair: Dean Irvine (Dalhousie University/Yale University) Kit Dobson (Mount Royal University) J.Matthew Huculak (Dalhousie University) Faye Hammill (University of Strathclyde) Smaro Kamboureli (University of Guelph) Catherine Lanone (Sorbonne Nouvelle) Paul Hjartarson (University of Alberta) 20h Download Bios and Abstracts Doctorante en littératures de langue française à l’Université de Montréal, Sarah Alharbi détient une maîtrise en études françaises de l’Université de Guelph (2011) et commence à l’automne 2011 sa première année au doctorat. Gregory Betts is an Associate Professor in the Department of English Language and the Director of the Centre for Canadian Studies at Brock University.Ses intérêts de recherche portent sur l’histoire et la sociologie de la littérature, et sur l’application du savoir herméneutique sur la littérature française (roman, poésie) du XIXe-XXe siècle. His book is forthcoming from the University of Toronto Press.Suzanne Bailey is Associate Professor in the Department of English Literature at Trent University, Peterborough, Ontario. Emily Ballantyne is a Ph D candidate in English at Dalhousie. She is the Project Administrator for EMi C*, and will be editing the non-fiction volume in the Collected Works of P. Matt Bouchard is a graduate of the Humanities Computing program at the University of Alberta, where he also did his undergraduate work in Computing Sciences and Creative Writing.

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